yan

Photographer Zanele Muholi creates the Being series as an “intimate portrayal of the lives of black lesbian women in South Africa.”

Being is an exploration of both our existence and our resistance as lesbians/women loving women, as black women living our intersecting identities in a country that claims equality for all within the LGBTI community, and beyond.

The work is aimed at erasing the very stigmatisation of our sexualities as ‘unAfrican’, even as our very existence disrupts dominant (hetero)sexualities, patriarchies and oppressions that were not of our own making. Since slavery and colonialism, images of us African women have been used to reproduce heterosexuality and white patriarchy, and these systems of power have so organised our everyday lives that it is difficult to visualise ourselves as we actually are in our respective communities. Moreover, the images we see rely on binaries that were long prescribed for us (hetero/homo, male/female, African/unAfrican). From birth on, we are taught to internalise their existences, sometimes forgetting that if bodies are connected, connecting, the sensuousness goes beyond simplistic understandings of gender and sexuality[…]

Being is part of an ongoing journey to interrogate the construction of our sexualities and selves, and then to deconstruct ourselves, identity by painfully-earned identity, in order to see the parts that make up our whole.

Clockwise from the top:

1. Zinzi and Tozama III, 2010 
2. Katlego Mashiloane and Nosipho Lavuta, Ext. 2, Lakeside, Johannesburg 2007 
3. Being 2007

Beautiful Boy, 2010

Filmmakers have explored the subject of school shootings in the past, but first-time feature director Shawn Ku finds a unique perspective on this delicate issue. Rather than focusing on the tragic incident and the events leading up to it, Beautiful Boy confronts its devastating aftermath. Moreover, the killer is almost entirely absent throughout the film. In his place, we look through the eyes of his parents, who struggle to find refuge from the public and from media backlash, while overcoming their own sudden loss.

In two of the most heartrending performances in recent memory, Maria Bello and Michael Sheen play parents in a rocky marriage who are hit with the shocking news that their eighteen-year-old son has committed a mass shooting at his college before taking his own life.

With a maturity and comprehension beyond his years, Ku (who co-wrote the screenplay with Michael Armbruster) shows remarkable insight into two middle-aged parents faced with unspeakable anguish. Separated from the rest of the world by this incomprehensible act, they find their marital troubles gradually taking a back seat to the traumatic situation thrust upon them.

Credit must also go to the film’s stellar supporting cast, who add further weight to this difficult story. Moon Bloodgood, Alan Tudyk and Meat Loaf Aday are perfectly cast as bystanders to the slow-burning wreckage at hand.

Beautiful Boy is fearless. It defies convention to shed light on something that many similarly topical films have shied away from. The result is a bleak yet rewarding experience that dares to challenge not only its audience, but also previous investigations of this dark subject.

Text taken from tiff.net

The Aggressives, 2005

tobia:

“Between the Folds chronicles the stories of ten fine artists and intrepid theoretical scientists who have abandoned careers and scoffed at hard–earned graduate degrees—all to forge unconventional lives as modern–day paperfolders. As they converge on the unlikely medium of origami, these artists and scientists reinterpret the world in paper, and bring forth a bold mix of sensibilities towards art, expressiveness, creativity and meaning. And, together these offbeat and provocative minds demonstrate the innumerable ways that art and science come to bear as we struggle to understand and honor the world around us—as artists, scientists, creators, collaborators, preservers, and simply curious beings.” (SOURCE)

WATCH IT.

Screencap from Home, directed by Yann Arthus-Bertrand.

You’re only 200 thousand years old but you have changed the face of the world. Despite your vulnerability you have taken possession of every habitat and conquered swathes of territory like no other species before you.

youmightfindyourself:

“A Small Act”. This heartwarming documentary centers on the life story of Chris Mburu, who as a small boy living in a mud house in a Kenyan village had his primary and secondary education paid for by a Swedish woman. This cost her $15 a month. They had never met. He went on to the University of Nairobi, graduated from Harvard Law School, and is today a United Nations Human Rights Commissioner.

The film shows Mburu seeking the Swedish woman “who made my life possible.” She is Hilde Back. She is now 85 years old, a German Jew who was sent to Sweden as a child. Her family died in the Holocaust. She never married, was a school teacher, has lived in the same apartment for 35 years, is a tiny woman, but robust and filled with energy.

She is flown to Kenya, serenaded by the choir from Mburu’s village, feasted, thanked, gowned in traditional robes. In the village the students study by the light of a single oil flame. The schools are not physically impressive; crowded classrooms with simple board benches and desks. A gym? Don’t make me laugh. Hilda Back is asked if, since she never had children, she thought of Chris as a son. We see in the film that they stay in close touch. “But I have had children,” she replied. “I was a teacher. I had many, many children.” And one lived in a mud house in Kenya.

(Editor’s note: The little things are the big things. Join my Kiva team today!)

“Personally I am very pessimistic. But when, for instance, one of my staff has a baby you can’t help but bless them for a good future. Because I can’t tell that child, ‘Oh, you shouldn’t have come into this life.’ And yet I know the world is heading in a bad direction. So with those conflicting thoughts in mind, I think about what kind of films I should be making.”

via stayforthecredits, filmprojections

The Chinese Botanist’s Daughters, 2006

My room will have koi fish wallpaper.

(via baptisms, noele l)

Andrei Tarkovsky, Stalker, 1979

littlewanders:

Immoral Women